The cinema Neues Filmtheater was opened in 1953, later called Filmtheater des Friedens (Movie Theater of Peace).
It was closed as a cinema in 1991 and used briefly as a games library. In October 2001 it was opened as the Saxon Switzerland National Park House. The building was gutted for this. The exterior of the building has been well preserved and adapted to the new task.
The building is a historical monument.
The old analog projectors also got a second chance. They are now used in the Dresden cinema Museumskino Ernemann VII B. The museum cinema has been part of the Dresden Technical Collections since 2002. These are located in the former Ernemann factories (later Pentacon). Cinema projectors and cameras were manufactured here for almost 100 years until 1991.
Gabès is a city on the Mediterranean coast of Tunisia. It has about 120,000 inhabitants and is the 6th largest Tunisian city.
It is not easy to find facts about cinemas in Gabès. In French Wikipedia there is written about Cinemas in the colonies.
In Gabès there was the L'Atlantide Cinéma with 600 places, directed by Mr. Sauveur, Raphaël Scozzaro and Emile Saada. It opened in 1937.
Radio City Cinema was opened on 18 September 1958 in Tehran. It was designed by Heydar Ghiai (1922 - 1985), a pioneer of modern architecture in Iran. His buildings include the Moulin Rouge Cinema, the Senate Palace and the Hilton Hotel in Tehran.
The architecture of the entrance facade was designed in googie style. Red neon lights were installed on the outside of the cinema that glowed at night and gave the cinema a modern look.
The cinema had 1,400 seats and the screen had a width of 14.5 meters.
The Radio City opened with a screening of Les bijoutiers du clair de lune / The Night Heaven Fell - a 1958 French-Italian film directed by Roger Vadim with Brigitte Bardot. The cinema became one of the most visited cinemas in Tehran, showing intellectual films, most of them were US-American films.
Cinemas of the same name were built in major cities in Iran:
- the Radio City Cinema in Mashhad, opened in 1959
- the Radio City Cinema in Rasht, opened in 1965
In July 1973 a bomb incident occurred in the cinema. The cinema was burned during the Iranian revolution in November 1978 like the cinemas Capri, Chest Monde and Moulin Rouge. In the 1980s the cinema became a pharmacy for a while.
In February 2018, the cinema building was placed on the national list of monuments.
There was a retrospective with Tarkovsky's movies in 1988 (he died in 1986) during the Fajr-Film Festival. The films were shown in Russian with no subtitles and censored. Tickets were traded on the black market, everybody wanted to see Tarkovsky. Azar Nafisi had the chance watching Tarkovsky's The Sacrifice and writes about this event:
“Looking back on that time it seems to me that such rapture over Tarkovsky by an audience most of whom would not have known how to spell his name, and who would under normal circumstances have ignored or even disliked his work, arose from our intense sensory deprivation. We were thirsty for some form of beauty, even in an incomprehensible, overintellectual, abstract film with no subtitles and censored out of recognition. There was a sense of wonder at being in a public place for the first time in years without fear or anger, being in a place with a crowd of strangers that was not a demonstration, a protest rally, a breadline or a public execution.”
I got this postcard from Ron via Postcrossing.
He wrote he is remembering theaters like this.
Much is reported about the theater on Wikipedia.
Today the historic Fox Theatre in Detroit is the largest surviving movie palace of the 1920s with over 5.000 seats. The theatre was fully restored in 1988. But it isn't used as a cinema anymore. You can visit there different venues and concerts.
Thank you. Richard, for this postcard!
This modernistic building with 456 seats in parterre and balcony, opened in 1937 with Charles Chaplin's Modern Times. The architect was Ljudevit Pelzer, who is famous for the cinema Korso/Europe in Osijek. The investors of both cinemas were the brothers Slavko and Bogumil Fleissig from Požega. Although Bogumil Fleissig was a civil engineer and had a construction company, his life is connected with the cinema. Already in 1911, his uncle Dragutin Fleissig, also a civil engineer, opened first cinema in Požega.
The architectural building of the new cinema and the outside area indicated the function of the building itself. On the facade of the building with large wall surfaces, an empty wall screen protruded, which was an unusual and interesting advertisement for the interior, cinema projections. The building is an example of the modern architecture of the 1930s.
The Central Kino was closed on 1st May 1999. Today it is a part of the Saint Teresa of Ávila Cathedral. Unfortunately I couldn't a find a photo from today on internet.
So there isn't any cinema today in Požega, but the local film and video club has been organizing every year the Croatian One-Minute Film Festival since 1993. Požega is really worth visiting.
The Edison Cinema was designed and built between 1918 and 1920 based on a project by the Zagreb architects Bruno Bauer and Ed Schoen. It is the first cinema in Croatia, built only for this purpose. There were 470 seats. And it was also the biggest cinema in Croatia.
In the 1930’s, sound films were introduced and in 1957 the first Cinemascope projection took place. From the beginning, Edison has been the most comfortable cinema house in Karlovac and it has always had premiere films on its repertoire.
The cinema is now closed because of renovation. It is going to reopen in 2023. After renovation and equipment, Edison will have two cinemas with a total of 260 seats.
The postcard was sent in 1926 and is still well preserved.
In 1939, USSR's first three-hall cinema Moscow with 1200 seats was built. Its author is professor arch. Lazar Markovich Khidekel (1904-1986). The cinema was built on the site of the 1922 destroyed Church of St. Catherine in Yekateringof.
The cinema Khiva / Хива / Xiva was built in 1910 by the architect Georgy Mikhailovich Svarichevsky, who was born in 1868 in the city of Chișinău (Kishinev, at this time Bessarabia, today Moldova). Until his death in 1936, he was very actively involved in the development of the city and region of Tashkent.
This first day letter is a gift from my sister. In December 2020, the cinema celebrated its 125th anniversary. Thanks to the Swiss Post, I was reminded of this. The birthday party was bigger 25 years ago ...
I love these stamps illustrated by Michael Stünzi. Cinema culture changed in the 125 years of its existence. On the left stamp a scene with the projector used by the Lumières is shown, in the middle can be seen classic rolls of film, and on the right there is a digitally presented 3D experience. The cinema audience wears the fashion of the respective era.
I like the creative idea that everyone is sitting in the same two rows, connected through the times (look at the different chairs!) - and printed as stamps together. Maybe the girl left is the older woman in the middle. And the man with the mustache in the middle could be the old man on the right (without the 3D-glasses). The projectionists were not forgotten either. Even if I would have liked it better if the woman in the middle had worn dungarees...
You can see on the envelope a cinema-building in the three ages with people also showing on the stamps. At all, you can tell little stories with these little pictures.
The Real Cinema was a movie theater located in Plaza de Isabel II, close to the Teatro Real and the Royal Palace. It opened on May 15, 1920, and was inaugurated by King Alfonso XIII with the screening of the film Francia Pintoresca, El cuarto número 23, La hija del Plata and Vacaciones de Solly. With a capacity for 1000 seats and 54 boxes, it became one of the largest cinemas in Spain.
The cinema was designed by architect Teodore de Anasagasti. He was also the architect of two other Madrid cinemas: the Monumental Cinema (1923, now Teatro Monumental) and El Cisne / Chueca.
In 1923, an outdoor cinema was installed on the roof of the Real Cinema, with a capacity for 800 people.
In 1931, the Spanish Second Republic began and the cinema’s name was changed to Cine de Opera. At the start of the Spanish Civil War, a bomb caused incendiary damage to the building. The cinema re-opened in 1943.
The building was renovated between 1964 and 1965. In 1967 the cinema was remodelled to become the Cinerama for the screening of 70 mm films and the auditorium was later remodelled to accommodate 1400 seats.
In 1992, the company that owns the building hired architect Gilbert Lopez-Atalaya to renovate, so that there would be a new multiplex of four auditoriums, the largest auditorium having 400 seats and the other auditoriums totalling 670 seats.
In 2020 it was completely demolished. Today there is a hotel.
The postcard is from a postcard book, there is a perforation on the left to make it easier to tear off. You can read below the name Real Cinema "Empresa Sagarra" - the name of the cinema company. Unfortuntally, it is not possible to read the names of the advertised films.
The Cinema on castle Vogelsang is the low building with the writing Cinema. It was built in the 1950s.
In the course of time there were a total of 12 cinemas called Schauburg in Hamburg. The Schauburg on the postcard is Schauburg St. Pauli - also called Schauburg am Millerntor.
On February 24, 1927, the Schauburg am Millerntor opened directly next to the Trichter dance hall on the Reeperbahn. The Schauburg was designed by the architect Carl Winand (1879-1955) in the style of the New Objectivity and had 1,800 seats. The cinema was opened with the film Laster der Menschheit / The Vice of Himanity (Germany 1926), directed by Rudolf Meinert starring Asta Nielsen. She herself was there on this evening. The newspaper wrote: "In precious garb, with a gold ribbon stretched over her forehead, she deigned to watch the game on the white wall from the rank box in the company of her male state."
The first sound film was shown here in Hamburg on January 23, 1929. It was the German film Ich küsse Ihre Hand, Madame / I kiss your hand, Madame with Marlene Dietrich.
The Schauburg was destroyed in an air raid on May 4, 1942.
Today there isn't any cinema called Schauburg in Hamburg.
On the postcard you can see advertising for the film Die große und die kleine Welt above the entrance and next to the door with Viktor de Kowa and Heinrich George, directed by Johannes Riemann. The film came on March 20, 1936 to German cinemas.
The postcard was sent to the Döhnert siblings from Hamburg to Dresden in 1938. Döhnert was a piano manufacturer in Dresden and the family lived in this house.
A year later, the Reichsstatthalter in Mecklenburg, Friedrich Hildebrandt, awards the municipality the town charter and the name Ostseebad Kühlungsborn in this building.
The postcard was published in 1959, showing the 1958 reconstructed cinema (now with 435 seats).
The cinema was closed in the 1990s, a restaurant was opened.
The city Celje is located 70 km northeast of the Slovenian capital Ljubljana. The celts were here. And it is still a place worth visiting - also because of its cinema.
The Mestni Kino Metropol (City Cinema Metropol) opened in 1936. Its architect was Jože Plečnik. Plečnik (1827-1957) is a famous Slovenian architect, he worked also in Vienna and in Prague. The back of this postcard reminds of him. The photo on the postcard shows the cinema during the Domestic Film Festival in 1978. But the postcard is from the 2020s.
The cinema Kolizey (Coliseum) is (or was?) the oldest cinema in Yekaterinburg. The house was built in 1845 as the City Theater, the architect was Karl Tursky (1801-1884). The first cinema screening in Yekaterinburg took place in this house on November 7, 1896. A board on the building remembers this.
In 1914, there was opened the cinema Kolizey. After the 1917 revolution, the cinema was renamed October. In 1968, when the Salut cinema burned down, the October cinema was specialized as a children's cinema.
The historical name was returned in 2002 after the last reconstruction with 2 halls (280 and 33 seats).
When the photo was taken, cinema advertised the movie Garfield 2 (USA, 2006).
The cinema has closed for reconstruction since January 2019.
Cinema Dom Kino (House of Cinema) is not the big new house in the foreground. It's the higher house on the left. You can see a billboard for the movie Девушка из воды / Lady in the Water (USA, 2006) there. (But I bought this postcard with the inscription on the backyard "Dom Kino" ...)
Cinema Velikan (in English: Giant) was built in the end of the 19th century and was used as The People's House of Emperor Nicholas II. Architect was Alexander N. Pomarentsev (1849-1918), he is famous for the GUM department store in Moscow.
The People's House was a publicly accessible cultural and educational institution in pre-revolutionary Russia (and not only in Russia). They contained libraries, theaters and restaurants and served above all for adult education for both workers and the middle class. There were 20 people's houses in Saint Petersburg before 1917. In this building there was also an opera hall.
After the revolution of 1917, the people's houses retained their functions under the control of the new government - they became Workers' clubs, Houses of culture and Palaces of culture.
From the first days of the 1917 revolution, the People's House began to be used for various meetings. In May 1917, the 1st All-Russian Congress of Peasant Deputies met here, at which on May 22 V.I.Lenin delivered a big speech on the agrarian question. In 1918, a meeting was held here in honor of Karl Liebknecht's release from prison. In 1919 the city was named Petrograd and the People's House was named after Karl Liebknecht and Rosa Luxemburg.
On August 15, 1924 - now the city was named Leningrad - in this building the largest cinema in the USSR Velikan was opened. It accommodated about 2800 spectators. From 1950 till 1970 it was used as a music hall, and from 1959 till 1978 as a cinema again.
To demonstrate stereoscopic films, the concert hall of the cinema with 211 seats was converted into Theater Stereokino in 1955.
The postcard is from this time (published in 1954). You can read "Поют - singing" on the ads, but nothing connected with cinema on the picture. There is only written on the backyard: Ленинград кинотеатр "Великан" - Leningrad cinema "Velikan".
On January 1, 1978, the cinema was closed for renovations and alterations of the stage to accommodate a music hall. In May 1988 the Music Hall was opened in this building and and still welcomes its guests to this day.
The house was built in 1910-1914 according to the project of the architect Nikolai N. Ignatiev as an exhibition pavilion of the Imperial Russian Society of Horticulture in the Tavrichesky Garden quarter. In 1955-1956 it was reconstructed into a cinema by the project of the architect I. I. Chashnik. The cinema was opened on November 5, 1958. It was one of the first large-scale projects in this segment. The hall was equipped with a panoramic screen 28 meters wide and 10 meters high, as well as stereo sound.
The cinema had three halls: a hall with a panoramic screen with 1128 seats, Green Hall with 200 seats as a feature film hall and Blue Hall with 200 seats for popular science movies.
The loudest premieres took place here. For a long time Leningrad set the tone for the city's cultural life. By the end of the 20th century, the technical side of the cinema hall became obsolete, and the cinema life of the city moved to shopping and entertainment centers. In 2004 the cinema was closed.
After the reconstruction of the building by Ricardo Bofill in 2014, the Leningrad Center Show Space was opened in the building of the former Leningrad cinema. The art director of the show space is Felix Mikhailov, a well-known Russian theater, film and television director, screenwriter and producer. The repertoire of the show space includes large-scale performances at the intersection of various types of art: theater, musical, circus, ballet, kinetic art, puppet theater, video installations and 3D-mapping. In January 2018, regular film screenings were revived.
The postcard was published in 1959.Here you can know more about cinemas in Sankt Peterburg.
Dnipro is since 2016 the name of the Ukrainian city Dnipropetrovsk - like it is written on this 1982 published postcard. I find it remarkable that only the Russian name of the city is printed on the postcard - not the Ukrainian name ...
Cinema Kotovsky was put into operation in 1973, and it became the largest in Moldova. It had two halls: the main one for 1200 seats and the small one for 350 spectators. There were widescreen and stereo sound.
After the collapse of the Soviet Union, the cinema began to fade away. But in 2001 it got a second life - it was acquired by a private company from the capital, re-equipped according to modern requirements and given a new name Patria. And in 2015 it closed - low attendance made its operation unprofitable.
Here you can find more information about cinemas in Bălți.
On skif_tags journal I found a wonderful article with great photos about cinema Oktyabr / October in Taganrog. Here is a part translated into English:
Two films are advertised on the large poster at the cinema:
- Königin der Wildnis - Born free, the great British movie about the lion Elsa (directed by James Hill, 1966) and
- Eine total, total verrückte Welt - It's a Mad, Mad, Mad, Mad World (directed by Stanley Kramer, USA 1963).
The first one came to East German cinemas on 4 July 1969, the second one on 2 August 1968. Maybe it was a rerelease of these movies about 1974 (when the postcard was published).
The construction of the L'Empire Cinéma in Fès began in the summer of 1931 with the Empire-Jardin, an outdoor cinema venue. The architect of the cinema with 1800seats was François Robert (born in 1902 in Charleville), who worked for the company Balima and designed for it the Balima hotels in Rabat and Ifrane, as well as other buildings on avenue Mohammed V in Rabat and around it.
Mr. Joseph Seiberras from Malta (1886-1942) was the owner not only of this emblematic cinema of the colonial period in Morocco, but also of forty other cinemas built at the time in Algeria and Morocco.
The cinema was closed in 2012, demolished and replaced by the Mégarama Fès, a multiplex cinema.
This is already my 25th postcard showing Kino International in Berlin (counted according to the poster motif). The postcard is extra large (21,4 cm x 10,3 cm) and was sold with an envelope. It was made by Graphokopie H. Sander K.G. Berlin and was published by Berlin Werbung Berolina.
The poster on the cinema building advertises the film Die Perle / The Pearl / La perla - a 1947 Mexican-American film directed by Emilio Fernández. It is based on the 1947 novella The Pearl by John Steinbeck, who also co-wrote the screenplay.
The film came to East German cinemas on May 26, 1964. It was shown already August 12, 1950 in the West German cinemas with the titel Mexikanische Romanze - but only 77 min of total 85 min.
In 2002, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
The poster was designed by Horst Klöpfel.
Cinema Teatro in Asmara - today Teatro Asmara - is a late eclectic historicism building in Asmara, the capital of Eritrea, and part of the UNESCO World Heritage Site Asmara: A Modernist City of Africa.
The building was designed as an opera house and was completed in 1920 according to plans by Odoardo Cavagnari (1868–1920). The design of the immediate area could no longer be completed, as the sponsoring company went bankrupt in 1924.
The as yet unused area in the vicinity of the opera house fell to the state, which sold it to investors in 1927, who built shops and a dance hall here 10 years later. The opera house itself has been converted into a cinema. Since then, there has been a café in the foyer. The building was used as a cinema until 1957.
After the federation of Eritrea and Ethiopia in 1952, under pressure from the Ethiopian viceroy, the building was sold to the state by the Italian owners at a price that was far below its value, and according to other sources, it was sold to a son-in-law of the then Ethiopian emperor, Haile Selassie.
After Eritrea gained independence in 1991/93, it was transferred to the state property of the new state. The main office of the national telephone provider Eritel is located in a side building and the actual opera house is occasionally used as a theater.
In Asmara there are still other worth seeing cinemas like Cinema Impero, Cinema Roma and Cinema Odeon.